With these three active and dedicated groups, the writers of Northwestern Pennsylvania enjoy a myriad of opportunities to share their work and get feedback, perform their pieces and grow in their craft and creativity. No wonder the area’s water tastes so delicious!
Telling is appropriate for many things in a story. It allows you to better control the pace and feel of events than going full force with “showing.” Showing is good for some types of writing more than others. There needs to be a mixture of telling and showing, the proportions of each depend on the story the writer is trying to tell and how he wants it told. To a large degree “Show Not Tell” is pretty flippant advice – not always wrong, but not the solution for everything.
Visitors to Fusion Atelier are always sure to find something interesting happening at this creative space, which partners with many community organizations and individuals to support regional art and culture. Both Hoffman and Stein say they are often inspired by the exchange of ideas, experiences and stories that happen around them.
I like technology, - been doing it for longer than dirt is old. I love developing, testing, and learning it. However, have this love/hate relationship with it. It can help and it can frustrate.
Several poets who I worked with through the Writer’s Block Party meetings and with the Journal had asked me to look at their poems and edit punctuation errors, or add punctuation to it completely. I realized that, for many poets, the lack of punctuation is not necessarily a creative choice. I wondered, how might punctuation change the tone, meaning and effect of their work if they knew how to use it?
"Looking back, I realize that many of the classics I’d read in high school and college were written in a much more dense style, and I read those books simply because they were required reading. That’s not to say that I didn’t love them and cherish what I’d read, but I seldom find myself wanting to go back and reread them, because most—like The Heart of Darkness—were just written in a style that required a lot of work, and were tedious to get through because of what I realize now was poorly constructed architecture."
A short story is an invented prose narrative shorter than a novel usually dealing with few characters and maiming at unity of effect and often concentrating on the creation of mood rather than plot. What we call “coffee break” reading. A short story is more than 7,500 words that can be read in a single sitting. Describes a single event, a single episode, or a tale of one particular character. Does not usually involve major twists and conflicts, and involvement of various sub-plots and multiple characters is not common. A short story is basically fictional prose, written in a narrative style. The narrative style may either be first or third person.
"Do a second and third rewrite before you show the manuscript to the editor. At the very least, use spell check on the entire manuscript, and then have some friends check for errors. Make it the best you can do on your own so you won’t be paying for a professional’s time to do what you could have done yourself." Patty Zion, from "Working with a Freelance Editor"
We ended the workshop with examples of these techniques by poets such as Robert Frost, Robert Burns, Elizabeth Bishop, Mary Oliver, Samuel Taylor Coleridge and others. For me as the presenter, the discussion reinvigorated my awareness of these tools and the power they give the poet to touch the reader at a fundamental, emotional level.
Submitters, supporters and followers of The Watershed Journal (TWJ) may have also heard of the group of writers called The Writer’s Block Party (WBP), a social group for writers that is sponsored by the Journal. It might be confusing when TWJ writers talk about being WBP writers (oh the joys of acronyms!).